Tuesday, October 27, 2009

time, he flies











so busy these days and in the last stages of recuperation from illness, but wanted to put up these photos from our Evil Elvis nite at the Elmdale - so much fun. The photos were take by Charline, who kindly gave me permission to rip them off of her facebook profile.

Friday, October 9, 2009

What to wear...

This is the age-old question. We are playing at the Elmdale tonight. I'm stocking up on the black eyeliner. Thinking of the classic black and red for a colour scheme...

Sunday, October 4, 2009

Horrorbilly, Hellbilly, and Elizabeth Riley-billy

Saturday, September 19, 2009

Sunday 27th afternoon art/music show

This is a photo from Ray - he posted it to facebook - from our Carleton Place gig last weekend. It was incredibly fun, in the photo we are jamming with a group called the Celtic Jammers. The venue was an art/coffee shop called Brushstrokes on Bridge Street. It was a great acoustic evening in a cosy and welcoming place.

Next weekend we have another acoustic set coming up in a legendarily good acoustic space, St Brigid's Centre for Arts and Humanities in the Byward Market. The event is an art show called Rhapsody in Hues, put on by Artemisia to raise money for St Brigid's restoration fund. All the art work is on the theme of music, and there will be music playing throughout the weekend. We are on at 3pm Sunday for an hour of bluegrassy goodness!

Saturday, September 5, 2009

Gigs, gigs

First, I have to say that I was BLOWN AWAY last night by ALT. They were already my favourite band, but now... I think they're gods.

Second, I have gigs! One of my gigs of course is that I'm back in my regular job duties at Carleton, so I have classes that I'm going to teach and a program to run and various other stuff.

BUT on the music front, Elizabeth Riley has gigs:

In Carleton Place, this Saturday Sep 12th, between 6-9 pm at Brushstrokes (an artstore/coffeeshop), as part of a show featuring the Celtic Jammers and various poets. This is part of Sounds of Downtown, an annual CP extravaganza, and just one of many examples of the vibrancy of the arts in the Ottawa Valley.

At St Brigid's Centre for Arts and Humanities, Sunday Sep 27th, 3pm, providing music at an art show called "Rhapsody in Hues" which is raising money for the restoration and maintenance of this beautiful historic space.

Monday, August 24, 2009

Aug 29 Women's Stage: Elizabeth Riley Band

We are very excited to be playing the Women's Stage this Saturday night as part of Capital Pride. It en plein air in front of City Hall, Marion Dewar Plaza. The show starts at 5pm and runs til 9 - we are the second band up, so I'm estimating maybe 5:30 or 5:45 we'll be embarking on our material - it's a shortish set, 25 minutes.

Stand up close to the stage to benefit from a limited time giveaway offer ;) - we recently made a demo CD and we're going to chuck a few into the crowd.

Also, of course, the topic of who will be wearing what is causing many pre-show conversations. I was going to wear my friend Wenna's cowboy hat, but when Carmel tried it on during a practice, we all agreed that it looks so excellent on her, SHE should wear the hat. However I am very much looking forward to finally wearing a funky pair of high heels that I bought two years ago at a now-defunct consignment store in Carleton Place (three sisters - it was soooo great). They are cowboy-ish in nature, that's all I'm gonna say.

What will we be playing - a mix of covers and originals:

Shame on You
Shady Grove
Redemption Day
Young Women to Old
Women's Stories

Sunday, August 16, 2009

I heart Pete Medway

I met Pete when I was in grad school. At that time, he was a professor who taught in the Writing Studies stream of my program. I was not officially concentrating in Writing Studies (it's my field now, though). However, I either took or audited every course he taught, and even talked him and the department into letting me be his TA for a third year writing course that was not officially large enough to warrant a TA assignment.

His sardonic humour and habitual frown of puzzlement, not to mention a willingness to critique dearly held orthodoxies (including his own), are not intended to endear, yet Pete is loved by many, something that seemed to baffle him at times.

To talk with Pete is to participate in an ongoing experiment, a testing process for half-a-dozen theories, all of which can melt, mingle, and appear to evaporate, only to condense later into an insight that could not have taken form without going through that shared, discursive process. His enthusiasm for a new idea does not preclude his later enthusiasm for jettisoning the idea if it seems warranted. If the idea is any good, it comes around again.

At a time in my life when I was struggling to make sense of who I was and how I appeared to straddle many different worlds, finding a home in none, I found refuge at Pete's soirees, held roughly every month or two months, prefigured by a group email with the subject line: "Soireereons, enfants!".

Everyone who came had to bring, perform or enact something that they had created. The evening always encompassed a vast range of creativity and appreciation: I remember balsa-wood architectural models, dragonflies fashioned out of pipe cleaners, found music made by dangling recording devices out of windows at busy streetcorners, poems in a variety of genres, subversive posters that had been plastered all over downtown Ottawa, paintings, interactive sculptures, songs. Everyone had equal floortime to present or perform, followed by a question and discussion period.

When Pete moved back to England to work at a university there, I was sad. Sad for me and the other people who were (officially or unofficially) his students here in Ottawa. But happy for him, since he moved closer to his family.

I still miss Pete, and I really enjoy his blog. It's very petesian. Or medwavian. Or something like that!